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Faculty
Publications &
Presentations
Akagi, M.
(Accepted;
pub. 2017). Rethinking
the Problem of Cognition.
Synthese, 10.1007/s11229-
017-1383-2.
Akagi, M.
(2016).
Cognition in Practice:
Conceptual Development
and Disagreement in
Cognitive Science.
Dissertation. Pittsburgh,
PA: University of
Pittsburgh.
Beller, J.A., Hering, T.M. &
Snow, D.M.
(2014). High-
throughput quantitative
assay for analyzing neurite
outgrowth on a uniform
substratum: The cell-
substratum assay. J.B.
Leach and E.M. Powell
(eds.) Neuromethods:
Extracellular Matrix. New
York: Humana Press.
Burczak, T.,
Garnett, R.
& McIntyre, R. (Accepted;
pub. 2017). Knowledge,
Class and Economics.
Routledge.
Dennis, M.
(Accepted;
pub. 2017). The Dunhuang
Manuscripts Nai 93 and
Tama 24: An Exploration of
Questions of Authorship,
Text, and Value in Relation
to Prince Shotoku’s
Shoomangyo-gisho.
Manuscript Studies.
Dennis, M.
(2017).
Reimagining the
Relationship Between
Authorship and Textual
Value in Prince Shotoku’s
Sangyo-gisho. Textual vs.
Extra-Textual: Dynamics of
Religious Authority in East
Asian Buddhism. Brill.
Dennis, M.
(2016).
Enlivened Learning:
How to Play the Karma-
based Moksha Game in
the College Classroom.
Education About Asia, 5-8.
Garnett, R.
(Accepted;
pub. 2017). Adam Smith’s
Oikeiosis Revisited. Adam
Smith Review, 10.
Garnett, R.
(2016).
Ethics and Learning in
Undergraduate Economics
Education. Considerations
on Professional Economic
Ethics: Views from the
Economics Profession and
Beyond. DeMartino, G.
& McCloskey, D. (eds.).
714-733. Oxford University
Press.
Hering, T.M., Beller, J.A.,
Calulot, C.M., Centers, A.
&
Snow, D.M.
(2014).
Proteoglycans of reactive
rat cortical astrocyte
cultures: Abundance
of N-unsubstituted
glucosamine-enriched
heparan sulfate. Matrix
Biology, 41:8-18. http://
dx.doi.org/10.1016/j.matbio.2014.11.006
John, S.
(2016). Ramiro
Guerra, the father of Cuban
Modern Dance. Routledge
Online Encyclopedia of
Modernism. New York:
Routledge, Taylor & Francis.
John, S.
(2016). The
Dancer’s Guide to Cuba.
Dance Magazine.
John, S.
(2015). “Narciso
Medina,” Dictionary of
Caribbean and Afro-Latin
American Biography.
Oxford University Press.
Lauer, L.
(2016). The
Transition Academy:
Seizing Opportunity in the
Age of Disruption. CASE
Books.
Lauer, L.
(2017). Making
Our CASE in a Changing
World. Reimagining
CASE. Council for the
Advancement and Support
of Education.
Lemmon, V.P., Ferguson,
A.R., Popovich, P.G.,
Xu, X.M.,
Snow, D.M.
,
Igarashi, M., Beattie,
C.E. & Bixby, J.L. (2014).
Information about a Spinal
Cord Injury Experiment:
A Proposed Reporting
Standard for Spinal Cord
Injury Experiments. J.
Neurotrauma, 31:1354–
1361.
http://dx.doi.org/10.1089/neu.2014.3400
Szok, P.
(2014).
Restuarantes, rumba y más:
Gringo’s Guide to Latino
Fort Worth. Fort Worth, TX:
TCU Press.
Williams, D.
(2016). Her
Book The Only Hope She
Had: Self and Sovereignty
in the Narratives of Ann
Carson. McLeer Balkun, M.
and Imbarrato, S.C. (eds.)
Women’s Narratives of the
Early Americas and the
Formation of Empire. New
York: Palsgrave Macmillan.
Williams, W.
(2017). Free-
and-Easy, Japanesey: British
Perceptions of the 1885
Japanese Village. Felluga,
D.F. (ed.). BRANCH:
Britain, Representation
and Nineteenth-Century
History. Extension
of Romanticism and
Victorianism on the Net.
Williams, W.
(2017).
‘So Very Japanny’: The
British Reception of The
Mikado in 1885. Franco
Felluga, D. (ed.) BRANCH:
Britain, Representation
and Nineteenth-Century
History. Extension
of Romanticism and
Victorianism on the Net.
Williams, W.
(2016).
George Eliot: Unsung
Poet of Sympathy. Critical
Insights: George Eliot. Ed.
Peel. K.R. (ed.) Pasadena,
CA: Salem Press.
Vartabedian, S.
(Accepted; pub. 2017). No
Cause for Comfort Here:
False Witnesses to ‘Peace.’
Southern Communication
Journal.
Vartabedian, S
. &
Drumheller, K. (2017).
Moral Mapping:
Transcendence in Religious
Iconography. Journal
of Communication and
Religion, 39(4).
Faculty
Creative
Activity
Havana Love Letters
(Cartas De Amor). Chor.
and libretto by
John,
S.
Score by Diamond, J.
Bertolt Brecht Theater,
Havana. 3-4 June 2016.
Performance.
HONORS
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